“I am a Franco-Burkinabè author, humorist, and actress. My roots are in Burkina Faso, where I spent my childhood between Fada N’Gourma and Ouagadougou before relocating to France in the early 2000s. My artistic path has been a blend of theatre, writing, comedy, radio, and social commitment.”

Books featured in the discussion:

In her book, “Ouagadougou pressé,” Roukiata vividly recounts the preparations for her return home to Burkina Faso from her small apartment in Paris’s 18th arrondissement. The humorous dilemma of packing—deciding what gifts to bring for her family, from vibrant Parisian tops for her cousins to a practical toaster for her mother—sets the scene. She guides readers through her spirited youth as a “young gazeuse” in the lively suburbs of Ouagadougou, contrasting it with her present life in Paris’s “Little Africa.”

The narrative is filled with laughter, introducing a colorful cast of characters: the bicycle chicken vendors, the neighborhood gossips, and the hairdressers of Château-Rouge. Readers are charmed by the “choco boys'” flirting tactics and the clever schemes used to outsmart her father, affectionately nicknamed “Chien Méchant,” all to attend the coveted high school graduation dance. Illustrated with Aude Massot’s dynamic and expressive drawings, this work serves as a heartfelt tribute to childhood, family bonds, friendship, and embracing individuality.

While profoundly funny, the book also delves into deeper reflections, offering more than just humor.

With a light yet nostalgic touch, Roukiata’s pen brings to life her childhood in Burkina Faso in “Du miel sous les galettes.” She tenderly and humorously depicts the harsh realities of devastating droughts and torrential rains, alongside the inherent warmth of the Burkinabè people. The narrative bravely touches upon issues of corruption and poverty, painting a vivid picture of the challenges faced in the region, offering a glimpse into African current affairs through a personal lens. She shares stories of her family, particularly the injustice surrounding her father’s arrest. Above all, the book is a powerful homage to her mother—a formidable, beautiful woman, a true “rock” who single-handedly raised seven children, tirelessly striving to make ends meet by selling her delectable fritters from their doorstep. These honey fritters, for the young Roukiata, forever embody the taste of childhood and her beloved homeland.

The conversation was beautifully accompanied by the musical illustration “Ouagadougou” by Desire Sankara.

By Mariama Hamani — Analyst